Letošnja edicija festivala Orodja za boljše bivanje se ukvarja z materialnostjo. Pridružili se nam bodo arhitekti, umetniki in ustvarjalci vseh vrst, ki jim je skupno združevanje duhovnega z materialnostjo v tisto tretje, kar je več kot vsota svojih delov. Kako se lotevajo dela s svojimi materiali? Kako si z njimi delijo svoja življenja? In končno, mar oni poznajo material orodij za boljše bivanje?
V sklopu festivala bomo tudi razglasili zmagovalce dveh natečajev in jim podelili nagrade. Literarni natečaj Straniščne spletke bomo zaokrožili z branjem izbrane kratke zgodbe, arhitekturni natečaj Dom prihodnosti pa bo predstavil sveže ideje za nove načine bivanja.
Arhitektka Maruša Zorec od leta 1997 vodi svoj projektivni biro, v katerem se ukvarja predvsem s projektiranjem objektov manjšega merila na področjih varovane kulturne dediščine. Letos je za svoj opus in vrhunske dosežke prejela platinasti svinčnik ZAPS.
Martin Rauch se je s svojim materialom najprej seznanjal prek oblikovanja keramike in kiparstva. Ko pa se je kot prostovoljec v Afriki srečal z gradnjo iz zbite zemlje, je svoje znanje začel prevajati v edinstveno arhitekturo, ki jo gradi danes.
Družinsko podjetje Arhitektura d.o.o. treh arhitektov, Petra, Boštjana in Aleša Gabrijelčiča, v katerem dve generaciji sodelujeta med seboj pri ustvarjanju edinstvene arhitekture, ki je poetična in racionalna hkrati.
Oblikovalka keramike, ki v avstrijskem Schlinsu vodi studio Karak, se pri svojem delu srečuje z vsemi elementi: zemljo, iz katere oblikuje, vodo, ki ji pri tem pomaga, zrakom, ki izdelek suši, in ognjem, ki ga zapečati.
Umetnik svetovnega formata, ki javne prostore prek svojih instalacij napolnjuje z nepričakovanimi vsebinami. Njegovi projekti nastajajo v tesnem sodelovanju z lokalnimi skupnostmi in s posluhom za identiteto izbranega prostora.
AleaOlea je oblikovalska platforma, ki so jo v Barceloni in Tunisu osnovali mladi strokovnjaki s področij arhitekture in krajinske arhitekture. Njihov cilj je vedno enak: oblikovati sodobne projekte, ki so ekonomsko, kulturno in socialno trajnostni.
Carlos Pascual je bil v svojem življenju že varnostnik, zidar, predstavnik za stike z javnostjo, urednik in ustanovitelj več neodvisnih revij o literaturi in umetnosti, podpredsednik finančne družbe, pisatelj, pesnik, scenarist in filmar.
Arhivox je pevski zbor arhitektov, ki jih poleg profesionalne poti druži tudi ljubezen do glasbe in petja. Deluje od leta 2012, sestavlja pa ga okrog 35 aktivnih in podpornih članov, ki so študentje, aktivni arhitekti in strokovnjaki iz sorodnih strok.
Kiparka, ki največ ustvarja v bronu in kamnu, pri svojem delu raziskuje raznolika stanja človeškega duha, pri čemer jo vodi tudi psihološka izobrazba, ki jo ima poleg likovne. Med leti 2009 in 2014 je bilo postavljenih kar deset njenih javnih kipov.
Miloš Kosec je arhitekt, aktivni sodelavec in član uredniškega odbora revije Outsider, ki živi in dela med Londonom in Ljubljano. Je avtor knjige Ruševina kot arhitekturni objekt, ki je izšla leta 2013. Njegovo raziskovalno delo je osredotočeno na arhitekturo, arhitekturno zgodovino ter politične in družbene aspekte arhitekturnega oblikovanja. Trenutno je doktorski kandidat na šoli Birkbeck v Londonu.
Aktivna sodelavka in članica uredniškega odbora revije Outsider, absolventka študija arhitekture, piska, pesnica ter priložnostna scenografka.
Revija Outsider je prejela Plečnikovo medaljo za prispevek k bogatitvi arhitekturne kulture. Kot piše v utemeljitvi, sta revija in spletni portal Outsider nov slovenski medij o kulturi in družbi, ki si prizadeva za poznavalski in hkrati distanciran pogled na prostor. Ekipa arhitektov, ki skrbi za njen obstoj, je nagrajena za inovativnost pri širjenju zavedanja o arhitekturi in prostoru v kontekstu širše kulture in širše javnosti ter za vztrajnost na vsebinski in finančni neodvisnosti.
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